Thursday, January 13, 2011

Drawing Is Thinking

I got up early this morning to go see Milton Glaser speak at SVA Theater on W 23rd Street. He spoke for an hour, dropping his standard insightful gems & epiphanies on a theater full of adoring typophiles young and old. Afterwards they opened the room up to Q&A from the audience. I don't know if it's that MG's intellect surfs a wave too gnarly for us paddling behind or if it's just the failing ears of an 81 year old man but he addressed most of questioneers with a crusty response. Honestly, I was really surprised at the lack of interesting queries posed to the man. A few years ago he came to speak to my MFA Illustration class and I asked him a rather wandering and poorly articulated question to which he responded in that same tone. So needless to say I felt compelled to give him something worthy his consideration and, let's be honest, to redeem myself...with myself.

I asked him - being a man of great coherence and eloquence, does an artist's inability to articulate why he creates what he does somehow cheapen his art?*

*It took me two attempts to successfully pose the question. Sonuvabitch!

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MG said that explaining the Why is pointless. It's impossible to truly know why we do the things we do. All of our actions in art as in life are manifestations of things we've picked up along the way. And we are best not to worry too much about extrapolating the arithmetic behind them and put the energy into injecting our own unique beauty into the things we already find appealing.

Well said.

Thursday, December 23, 2010

Wednesday, December 22, 2010

Thursday, December 16, 2010

Manhattan Blowout, 1960

This ink drawing on gessoed fabriano sitting around for months and months - always in the way on top of my scanner or in a stack of fresh sheets. Despite the cool decor and the strange subject - I suppose I put off finishing it due to a general lack of interest. Something about it just puts me to sleep.

But the other day I was sitting at my desk just after a job shipped and the corner was peeking out at me - making me feel guilty. So I scanned her in with heavy eyelids...

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Hit her with the flat color. Bored...

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And let's not forget the scanned textures and shading. I'm practically nodding off here...

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There! She's done. Now go away Ink Drawing of 1960's Underwear Lady & Her Cat Caught Off-Guard By The Eastern Wall of Her Upper-Floor Manhattan Apartment Being Suddenly Blown Out on Gessoed 300 Lb Cold Press Fabriano Paper and never bother me again!

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